On the evening of November 3, under the guidance of Sichuan Culture Department and Chengdu Music Film and Television Industry Development Leading Group, Chengdu Culture Radio and Television Press and Publishing Bureau, Chengdu Music Film and Television Industry Promotion Office and Chengdu Business News Agency and Sichuan Conservatory of Music, the 24th Chengdu International Music Season in Chengdu was held in Sichuan Musicology. The Concert Hall of the Grand Academy brings a concert of Sichuan intangible cultural heritage, the essence of national music treasure, to the people of Chengcheng. At the concert, non-hereditary inheritors and Chuanyin teachers and students jointly performed Shu-style guqin, car lights, Sichuan Yangqin, Yi's lame singing and dancing, Qiang's traditional folk songs, Tibetan songs and dances and other categories of programs, so that the audience can feel the unique charm of traditional music and ethnic songs and dances.

The concert was divided into four parts: Bafeng and Shuyun, Yixiang, Qiang Village and Tibetan music. The style of the concert was unique and charming. Thousands of years of historical and cultural accumulation have made Sichuan's traditional music a variety of types, and most of them have the characteristics of relaxation, liveliness, gentleness and affection. Among the more popular traditional music in Sichuan nowadays, the representative ones are Sichuan Qingyin, Sichuan Yangqin, Sichuan Chedeng and Shu Guqin.

So in "Bafeng Shuyun", there are not only "Running Water" played by Zeng He, the inheritor of Shu School Guqin, but also the car-lamp performance of Professor Shirong Chuan Yinzuo's teaching class. There are also non-inherited inheritors Liu Shiyan, Wang Tiejun, Kang Xianhong, Li Juanyi and Chuan Yinzi who jointly deduce the Sichuan Yangqin "Qiujiang" and "Little Kite Flying" and "Bu". The cuckoo coos two well-known Sichuan voiceless sounds. Especially Shu School Guqin Liu Shui is the sixth paragraph of Zhang Kong Shan, a pianist of "Shu School", which imitates the Pentium Water Potential on the basis of the old tunes, and then forms the famous "72 Rolls" of "Shu School". The performances of the inheritors are brilliant, making the audience feel the ups and downs of 72 rolling.

In the chapter of "Yixiang Style", the blower of Tianfang Village, Guanhe Town, Huili County, started Hexiang to lead the students of the Department of Music in Sichuan to have fun together. Reporters learned that lame feet singing and dancing is a common form of collective circle singing and dancing in all branches of the Yi nationality. The lame foot dance, which appeared on the stage that night, is one of the traditional folk customs in the village. There is a local saying that "when you hear the flute, the footboard itches". Every festival, men, women, old people and children are led by the "blower", gathered around the campfire to jump and limp. This kind of dance full of primitive flavor jumps out on the stage, and has a special charm.

The Qiang people are known as the "people on clouds" and sing moving songs from generation to generation. So in the section of "Qiang Village Voice transmission", there are traditional folk songs of Qiang nationality, multi-voice folk songs of Qiang nationality, and traditional wedding songs of Qiang nationality. The unique music style keeps applause on the spot.

The last chapter of the concert is "Tibetan amorous feelings". Everyone is very familiar with Tibetan music. The teaching practice report of Tibetan songs and dances displayed by teachers and students of Sichuan Yin has a rich variety of Jiarong Tibetan folk songs, unique Qiaoqi multi-voice folk songs, elegant and agile Reba dance, which vividly shows the charm of local music culture.

Red Star News Reporter Ren Hongwei

Pictures provided by the organize